Mike Garson talks to Hans Morgenstern about recording “Aladdin Sane” with David Bowie.
Earlier this week, EMI Records reissued a new remaster of David Bowie’s darker-side-of-glitter follow-up to last year’s 40th Anniversary reissue of the Rise and Fall of Ziggy Stardust and the Spiders From Mars. Aladdin Sane’s 40th Anniversary reissue arrives in simpler CD form, with no DVD audio or vinyl equivalent. But it remains a very interesting moment in the evolution of Bowie.
Though riding an increasingly popular wave of stardom at the time, Bowie had begun to tire of splitting his persona between Ziggy and Bowie. The follow-up album’s fractured portrait, with the so-called “Ziggy Bolt” painted over Bowie’s rosy, if somber, face and the play on “A Lad Insane” in the title belied the amped up sound of a talent in top form.
Inspired by his first U.S. tour for Ziggy Stardust, Bowie had embraced the glamour of L.A. and the seediness of New York for much…
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